Okay, I promise to get off the VOCES8 kick for a time, but I just had to post this one because of the smooth movement through the dissonances. And also because I really liked it.
I didn't know anything about William Henry Harris, primarily remembered for his Anglican church music. Google his name and learn even more about Doc H.
It's time again for the International Baltic Sea Choir Competition. This performance is by a Turkish women's choir, Sirene. The Hungarian composer, Miklos Koscar died this year (1933-2019).
There are about a zillion recordings of this motet - all adult male, boys and men, mixed voices. Why this one? I liked the tempo. One of my mottoes is “Keep it moving!” Here's the translation because it's nice to know what you're listening to: Sicut cervus desiderat ad fontes aquarum, ita desiderat anima mea ad te, Deus. Sitivit anima mea ad Deum fortem vivum: quando veniam et apparebo ante faciem Dei? Fuerunt mihi lacrymae meae panes die ac nocte, dum dicitur mihi quotidie: Ubi est Deus tuus? As the hart longs for the water springs, So longs my soul for thee, O God. My soul has thirsted for the living God: When shall I come and appear before the face of my God? My tears have been my bread by day and by night, While it is said to me daily: Where is your God?
Here's a nice seasonal (OK, a little early) work by a Northern Irish composer. Sean Doherty (born 1987) is also a member of the New Dublin Voices. He has won numerous prizes and is getting a good amount of performance. Interesting note: his Ph.D. dissertation was "Solfaing: A History of Four-Syllable Solmization to the Present Day." I'm sure this would be a treat to read for all the shape-note singers out there with a scholarly bent.
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